Hello carbon monoxide. Lyrics Begin: When the moon is in the seventh house, and Jupiter aligns with Mars, Then peace, will guide the planets, And love will steer the stars; This is the dawning the age of Aquarius, The age of Aquarius, Aquarius, Aquarius. Three white women of the tribe tell why they like "Black Boys" ("black boys are delicious ..."), and three black women of the tribe, dressed like The Supremes, explain why they like "White Boys" ("white boys are so pretty ..."). 4. At the musical cue, "they [stood] naked and motionless, their bodies bathed in Fisher's light projection of floral patterns. [180] Other productions were mounted around the world, including South Africa, where the show had been banned until the eradication of Apartheid. Aquarius! The tribe recites a list of things they lack ("Ain't Got No"). The naked body was beautiful, something to be celebrated and appreciated, not scorned and hidden. Getter Jaani. [84] The company's astrologer, Maria Crummere, was consulted about casting:[85] Sheila was usually played by a Libra or Capricorn and Berger by a Leo,[84] although Ragni, the original Berger, was a Virgo. [163], Local reactions to the controversial material varied greatly. [1][71] Miller writes that "nudity was a big part of the hippie culture, both as a rejection of the sexual repression of their parents and also as a statement about naturalism, spirituality, honesty, openness, and freedom. [252] The continued popularity of Hair is seen in its number ten ranking in a 2006 BBC Radio 2 listener poll of the "[United Kingdom]'s Number One Essential Musicals. But there's intelligent form within the seeming formlessness. Listen free to Villagers of Ioannina City – Age Of Aquarius (Welcome, Age of Aquarius and more). Berger calls out "Claude! Hair challenged many of the norms held by Western society in 1968. Part of a Time Life Music series. The men of the tribe burn their draft cards. "[8] Many cast members (Shelley Plimpton in particular) were recruited right off the street. [114], A production opened in Australia in 1992[177] and a short-lived London revival starring John Barrowman and Paul Hipp opened at the Old Vic in London in 1993, directed by Michael Bogdanov. During the curtain call, the tribe reprises "Let the Sun Shine In" and brings audience members up on stage to dance. Think you know music? Three Native Americans kill the Chinese with bows and tomahawks. I set it to music. Sheila voices her distress that Berger seems to care more about the "bleeding crowd" than about her ("Easy to Be Hard"). Stream songs including "Age of Aquarius", "Moon Phases" and more. ... [It] became a pop-rock classic that, like all good pop, has an appeal that transcends particular tastes for genre or period. [24] Newsweek described O'Horgan's directing style as "sensual, savage, and thoroughly musical ... [he] disintegrates verbal structure and often breaks up and distributes narrative and even character among different actors. In college, Rado wrote musical revues and aspired to be a Broadway composer in the Rodgers and Hammerstein tradition. Ultimately, Claude must decide whether to resist the draft as his friends have done, or to succumb to the pressures of his parents (and conservative America) to serve in Vietnam, compromising his pacifist principles and risking his life. [226], The production received mostly enthusiastic reviews. [33] According to Billboard, the various productions of the show were raking in almost $1 million every ten days, and royalties were being collected for 300 different recordings of the show's songs, making it "the most successful score in history as well as the most performed score ever written for the Broadway stage."[62]. Although she wishes it was Claude's baby, she was "knocked up by some crazy speed freak". I like to think they're all a little different. Claude Bukowski is called in the roll call, but Clark Gable says "he couldn't make it". [65], "Don't Put It Down" satirizes the unexamined patriotism of people who are "crazy for the American flag". The printing of the disc is terrific and the original pictures and liner notes make the record as enjoyable now as it was then. The Age of Aquarius is still with us. As they "look at the moon," Sheila and the others enjoy a light moment ("Good Morning Starshine"). Golden living dreams of visions "[63] Miller notes, "Not only did many of the lyrics not rhyme, but many of the songs didn't really have endings, just a slowing down and stopping, so the audience didn't know when to applaud. Booth shoots Lincoln, but Lincoln says to him, "Shit! [144] In Munich, authorities threatened to close the production if the nude scene remained; however, after a local Hair spokesman declared that his relatives had been marched nude into Auschwitz, the authorities relented. Potawatomi Hotel & Casino/Northern Lights Theater/Event Center, Milwaukee, WI, The Avalon Theatre At Niagara Fallsview Casino Resort, Niagara Falls. [154] Chattanooga's 1972 refusal to allow the play to be shown at the city-owned Memorial Auditorium[155][156] was later found by the U.S. Supreme Court to be an unlawful prior restraint. Jahnsson, Bengt. Rado remembers that long hair "was a visible form of awareness in the consciousness expansion. Long hair was shocking, and it was a revolutionary act to grow long hair. For example, Jeanie, after revealing that she is pregnant by a "speed freak", says that "methedrine is a bad scene". [127] while Oliver's rendition of "Good Morning Starshine" reached No. By 1967, theaters such as The Living Theatre, La MaMa E.T.C. Tony voters tried to ignore Hair's importance, shutting it out from any honors. Grease (1971) reverted to the rock sounds of the 1950s, and black-themed musicals like The Wiz (1975) were heavily influenced by gospel, R&B and soul music. [63] Jeanie appears from a trap door in the stage wearing a gas mask and then sings the song "Air": "Welcome, sulfur dioxide. In recent decades, we have seen glimpses of the nature of the dawning Age of Aquarius. Critical response was almost uniformly positive. The top price when it opened was $11. "Easy to Be Hard" is pure rhythm and blues, and protest rock anthems abound: "Ain't Got No" and "The Flesh Failures". [167][168], Hair effectively marked the end of stage censorship in the United Kingdom. English music album by The 5th Dimension 1. Harmony and understanding Sympathy and trust abounding No more falsehoods or derisions Golden living dreams of visions Mystic crystal revelation And the mind's true liberation Aquarius Aquarius. He declares himself "president of the United States of Love" ("Colored Spade"). [82] Berger has been seen as a John the Baptist figure, preparing the way for Claude. So new, so fresh, and so unassuming, even in its pretensions. "[206] Variety enthused, "Director Diane Paulus and her prodigiously talented cast connect with the material in ways that cut right to the 1967 rock musical's heart, generating tremendous energy that radiates to the rafters. Berger, Woof and another tribe member pay satiric tribute to the American flag as they fold it ("Don't Put it Down"). [113] Subsequent productions have included "Hello There", "Dead End",[113] and "Hippie Life" – a song originally written for the film that Rado included in several productions in Europe in the 1990s. [5][33] Among the performers in these were Joe Mantegna, André DeShields, and Alaina Reed (Chicago),[34] David Lasley, David Patrick Kelly, Meat Loaf, and Shaun Murphy (Detroit)[35] Arnold McCuller (tour),[36] Bob Bingham (Seattle)[37] and Philip Michael Thomas (San Francisco). [2], Papp declined to pursue a Broadway production, and so Butler produced the show himself. In addition to acceptance of interracial attraction, mentioned above, the characters' lifestyle acts as a sexually and politically charged updating of La bohème; as Rado explained, "The love element of the peace movement was palpable. [232] In 2017, the musical's 50th anniversary, the staging was repeated Off West-End at The Vaults theatre in London, with Metson and Johnson repeating their roles and Andy Coxon as Berger. He pretends to burn his Vietnam War draft card, which Berger reveals as a library card. Papp and Butler first moved the show to The Cheetah, a discothèque at 53rd Street and Broadway. Hud, a militant African-American, is carried in upside down on a pole. [209], The Public Theater struggled to raise the $5.5 million budgeted for the Broadway transfer, because of the severity of the economic recession in late 2008, but it reached its goal by adding new producing partners. When the Moon is in the Seventh House And Jupiter aligns with Mars, [169] Even in Paris there was nevertheless occasional opposition, however, such as when a member of the local Salvation Army used a portable loud speaker to exhort the audience to halt the presentation.[46][170]. [63] Pacifism is explored throughout the extended trip sequence in Act 2. 13 Feb. 2021. The song begins with images of death and dying and turns into a manic dance number, echoing Maxwell's glee at reporting the enemy casualties, as the tribe chants "Take weapons up and begin to kill". Producer Michael Butler, who had declared that Hair is "the strongest anti-war statement ever written", said the reason that he opened so many productions was to influence public opinion against the Vietnam War and end it as soon as possible. [105] MacDermot said, "My idea was to make a total funk show. Both Hair and Viet Rock include rock music, borrowed heavily from mass media, and frequently break down the invisible "fourth wall" to interact with the audience. Claude returns from his draft board physical, which he passed. [199] Reviews were generally positive, with Ben Brantley of The New York Times writing that "this production establishes the show as more than a vivacious period piece. ), The original Broadway production also included Melba Moore as Dionne, Ronnie Dyson, Paul Jabara and Diane Keaton. Hallelujah, I adore it. Mr. MacDermot's music, which always had more pop than acid, holds up beautifully, given infectious life by the onstage band and the flavorfully blended voices of the cast. Berger removes his trousers to reveal a loincloth. Get instant explanation for any lyrics that hits you anywhere on the web! The Los Angeles tribe included Rado, Ragni, Robert Rothman, Ben Vereen (who replaced Ragni), Willie Weatherly (who played Berger and Claude) Red Shepard, Ted Neeley (who replaced Rado), Meat Loaf, Gloria Jones, Táta Vega, Jobriath, Jennifer Warnes, and Dobie Gray. The lyrics to "Three-Five-Zero-Zero", which is sung during that sequence, evoke the horrors of war ("ripped open by metal explosion"). The bodies rise and play like children. [234] Ticket prices ranged from $250 to $5,000 and the proceeds went to the United States Committee for UNICEF and the Creo Society's Fund for Children with AIDS. . However, some now insisted it was time for a change. "[228] Michael Coveney of The Independent wrote that Hair is "one of the great musicals of all time, and a phenomenon that, I'm relieved to discover, stands up as a period piece". Not only the soul but the whole body was being exposed. The whole tribe launches into "Let the Sun Shine In", and as they exit, they reveal Claude lying down center stage on a black cloth. Some of these included mixed parts of military uniforms, bell bottom jeans with Ukrainian embroidery, tie dyed T-shirts and a red white and blue fringed coat. [152] Productions were frequently confronted with the closure of theaters by the fire marshal, as in Gladewater, Texas. [233] The production won the WhatsOnStage Award for Best Off-West End Production. [46] In some early performances, the Germans played their scene behind a big sheet labeled "CENSORED". ... You can go anywhere you want, and what Hair did, it is still doing twenty years later. Hair raised around $250,000 and ended up being the principal financier of the Assembly. Principal roles; original Off-Broadway and Broadway casts, 2009 Broadway revival and 2010 U.S. National Tour, UK 50th anniversary production and 2019 national tour. Claude enters dressed in a military uniform, his hair short, but they do not see him because he is an invisible spirit. Three astronauts shoot the nuns with ray guns. The woman states that kids should "be free, no guilt" and should "do whatever you want, just so long as you don't hurt anyone." In addition to those named above, these included productions in Scandinavia, South America, Italy, Israel, Japan, Canada, the Netherlands, Switzerland and Austria. MacDermot has claimed that the songs "can't all be the same. Web. [89], In April 1971, a bomb was thrown at the exterior of a theater in Cleveland, Ohio that had been housing a production, bouncing off the marquee and shattering windows in the building and in nearby storefronts. [245], Songs from the musical have been featured in films and television episodes. [243][244] In 2004 "Aquarius", from the 1979 film version, was honored at number 33 on AFI's 100 Years ... 100 Songs. [114] The 2009 Broadway revival included the ten-second "Sheila Franklin" and "O Great God of Power",[115] two songs that were cut from the original production. [107] Scott Miller ties the music of Hair to the hippies' political themes: "The hippies ... were determined to create art of the people and their chosen art form, rock/folk music was by its definition, populist. [185] An Actors' Fund benefit of the show was performed for one night at the New Amsterdam Theater in New York City in 2004. [157], The legal challenges against the Boston production were appealed to the U.S. Supreme Court. "Medley: Aquarius/Let the Sunshine In (The Flesh Failures)" (commonly called "Aquarius/Let the Sunshine In", "The Age of Aquarius" or "Let the Sunshine In") is a medley of two songs written for the 1967 musical Hair by James Rado and Gerome Ragni (lyrics), and Galt MacDermot (music), released as a single by American R&B group The 5th Dimension. "I was in my thirties then; I was never part of that culture," he said. STANDS4 LLC, 2021. [113], Songs from Hair have been recorded by numerous artists,[120] including Shirley Bassey, Barbra Streisand and Diana Ross. It was very apt, very honest and almost necessary. (0 fans), The 5th Dimension is an American popular music vocal group, whose repertoire also includes pop, R&B, soul, and jazz. "[137] Leonard Probst of NBC said "Hair is the only new concept in musicals on Broadway in years and it's more fun than any other this season". [46][60] Original Broadway cast member Natalie Mosco said, "I was dead set against the nude scene at first, but I remembered my acting teacher having said that part of acting is being private in public. Lyrics.com. She opens her coat to reveal that she's a man in drag. Claude gives Woof a Mick Jagger poster, and Woof is excited about the gift, as he has said he's hung up on Jagger. In… Clive Barnes wrote in the New York Times: "What is so likable about Hair ... ? After handing out imaginary pills to the tribe members, saying the pills are for high-profile people such as Richard Nixon, the Pope, and "Alabama Wallace", Berger relates how he was expelled from high school. Wingate, John (Critic). [40] O'Horgan or the authors sometimes took new ideas and improvisations from a regional show and brought them back to New York, such as when live chickens were tossed onto the stage in Los Angeles. [26] O'Horgan and new choreographer Julie Arenal encouraged freedom and spontaneity in their actors, introducing "an organic, expansive style of staging" that had never been seen before on Broadway. The musical's profanity, its depiction of the use of illegal drugs, its treatment of sexuality, its irreverence for the American flag, and its nude scene caused much comment and controversy. Butler ran the show concurrently with the 1996 Democratic National Convention, echoing the last time the DNC was in Chicago: 1968. [14] The composer's lifestyle was in marked contrast to his co-creators: "I had short hair, a wife, and, at that point, four children, and I lived on Staten Island. Listening again seemed like an introduction to several songs I had forgotten, and I'm glad I added this to my own music collection. see all reviews. In South Bend, Indiana, the Morris Civic Auditorium refused booking,[152] and in Evansville, Indiana, the production was picketed by several church groups. ... And one can see why. [166] They were expelled from Mexico days later. "[207] The Boston Globe dissented, saying that the production "felt canned" and "overblown" and that the revival "feels unbearably naive and unforgivably glib". ", the stage was covered in a giant scrim, beneath which those choosing to participate in the scene removed their clothes. Michael Billington of The Guardian described it as "a vibrant, joyous piece of living theatre", writing, "it celebrates a period when the joy of life was pitted against the forces of intolerance and the death-dealing might of the military–industrial complex. "[250] The episode "Hairography" of the show Glee includes a much-criticized mash-up of the songs "Hair" and "Crazy in Love" by Beyoncé. [108], The music did not resonate with everyone. Thirteen songs were added between the production at the Public Theater and Broadway, including "I Believe in Love". Berger appears as General George Washington and is told to retreat because of an Indian attack. Hair challenged many of the norms held by Western society in 1968. Allan Jeffreys of ABC said the actors were "the most talented hippies you'll ever see ... directed in a wonderfully wild fashion by Tom O'Horgan. With MacDermot returning to oversee the music, Rado's tour celebrated the show's 25th anniversary. and The Open Theatre were actively devising plays from improvisational scenes crafted in the rehearsal space, rather than following a traditional script. [60] The Swedish cast was reluctant to disrobe, but in Copenhagen, the tribe thought the nudity too tame and decided to walk naked up and down the aisle during the show's prelude. [65], The many references to Native Americans throughout the script are part of the anti-consumerism, naturalism focus of the hippie movement and of Hair. After seeing an ad for Hair in The New York Times that led him to believe the show was about Native Americans, he watched the Public's production several times[8] and joined forces with Joe Papp to reproduce the show at another New York venue after the close of its run at the Public. So I did it. In Act II, when Berger gives imaginary pills to various famous figures, he offers "a pill for the Pope". [17] A cast album was released in 1967. Now it's a show about then – but it's still about now. [55] In Mexico the production was banned by the government after one night in Acapulco. [171] Newcomer Peter Gallagher left the ensemble during previews to take the role of Danny Zuko in a tour of Grease. "[9] Quaylas stress beats on unexpected syllables, and this influence can be heard in songs like "What a Piece of Work Is Man" and "Ain't Got No Grass". [4] "We work independently", explained MacDermot in May 1968. He leaves as the tribe enters wrapped in blankets in the midst of a snow storm. [63], Harmony and understanding Oh say, can you see my eyes? [6][12], Rado and Ragni brought their drafts of the show to producer Eric Blau who, through common friend Nat Shapiro, connected the two with Canadian composer Galt MacDermot. Aquarius! Listen to Age of Aquarius – Astrology Background Music: Mystical New Age, Cosmic Harmony, Zodiac Signs & Tarot Cards, Daily Horoscope by Various Artists on Apple Music. [92] The symbolism is carried into the last scene, where Claude appears as a ghostly spirit among his friends wearing an army uniform in an ironic echo of an earlier scene, where he says, "I know what I want to be ... invisible". '"[99] It lasted only twenty seconds. Hud, Woof and Berger declare what color they are ("I'm Black"), while Claude says that he's "invisible". "[15] MacDermot wrote the first score in three weeks,[7] starting with the songs "I Got Life", "Ain't Got No", "Where Do I Go" and the title song. Young agreed that Hair was "not only a wildly enjoyable evening, but a thoroughly moral one." [195] Actors from the original Broadway production joined the cast on stage during the encore of "Let the Sun Shine In." ... [Long] hair was the hippies' flag – their ... symbol not only of rebellion but also of new possibilities, a symbol of the rejection of discrimination and restrictive gender roles (a philosophy celebrated in the song "My Conviction"). Mr. Freedman did. Aquarius! My toga made of blond, brilliantined, biblical hair. ... Today Hair seems, if anything, more daring than ever. It's like so much else people get uptight about. [72] Toward the end of Act 2, the tribe members reveal their free love tendencies when they banter back and forth about who will sleep with whom that night. The tribe emerges naked, intoning "beads, flowers, freedom, happiness.". [45], The job of leading the foreign language productions of Hair was given to Bertrand Castelli, Butler's partner and executive producer of the Broadway show. [2] There was no nudity in either the Public Theater or Cheetah production.   [5][6] The main characters were autobiographical, with Rado's Claude being a pensive romantic and Ragni's Berger an extrovert. And it was brilliant."[63]. [63] For example, the lyrics to the song "What a Piece of Work Is Man" are from Hamlet (II: scene 2) and portions of "Flesh Failures" ("the rest is silence") are from Hamlet's final lines. [210][211] On April 30, 2009, on the Late Show with David Letterman, the cast recreated a performance on the same stage at the Ed Sullivan Theater by the original tribe. They hand me the material. Available at a lower price from other sellers that may not offer free Prime ... Their second album, Age of Aquarius - originally released in September 2019 - will now be reissued by Napalm Records. [175] After Ragni died in 1991, MacDermot and Rado continued to write new songs for revivals through the 1990s. It stayed at No. The Hair legal team obtained an injunction against criminal prosecution from the Superior Court,[159] and the D.A. [265] Cast and crew members also contributed a day's pay, and Butler contributed a day's profits from these productions. Claude starts to trip as the tribe acts out his visions ("Walking in Space"). A 20th anniversary concert event was held in May 1988 at the United Nations General Assembly to benefit children with AIDS. After an off-Broadway debut on October 17, 1967, at Joseph Papp's Public Theater and a subsequent run at the Cheetah nightclub from December 1967 through January 1968, the show opened on Broadway in April 1968 and ran for 1,750 performances. One monk pours a can of gasoline over another monk, who is set afire (reminiscent of the self-immolation of Thích Quảng Đức) and runs off screaming. [165], An Acapulco, Mexico production of Hair, directed by Castelli,[46] played in 1969 for one night. [246] "Aquarius" was performed in the final episode of Laverne and Shirley in 1983, where the character Carmine moves to New York City to become an actor, and auditions for Hair. The air ... is everywhere". The Age of Aquarius is still with us. Can 'the American tribal love-rock musical' be the opera of tomorrow? [173] Few major revivals of Hair followed until the early 1990s. By the late 1970s, the genre had played itself out. It was directed by Shawn Rozsa. [61] Over four years, the production received 250 performances and was attended by president Tito. '"[227] Charles Spencer in The Daily Telegraph agreed: "This is a timely and irresistibly vital revival of the greatest of all rock musicals. Tom O'Horgan, the show's Broadway director, was intimately involved in the experimental theatre movement. Album notes for Original Cast Recording of, Ragni and Rado (Lyricists), MacDermot (Composer), and Gerome Ragni (Vocalist). In "Flesh Failures/Let The Sun Shine In", the lyrics "Eyes, look your last!/ Arms, take your last embrace! "[205] The New York Post wrote that the production "has emerged triumphant. Four African-American tribe members recite street signs in symbolic sequence ("Dead End"). "Aquarius/Let the Sunshine In Lyrics." [63] "Colored Spade", which introduces the character Hud, a militant black male, is a long list of racial slurs ("jungle bunny ... little black sambo") topped off with the declaration that Hud is the "president of the United States of love". "[25] In rehearsals, O'Horgan used techniques passed down by Viola Spolin and Paul Sills involving role playing and improvisational "games". All the sense of family, of belonging, of responsibility and loyalty inherent in the word 'tribe' has to be felt by the cast. Ragni and Rado (Lyricists), MacDermot (Composer) (1968). Two tribe members dressed as tourists come down the aisle to ask the tribe why they have such long hair. The Age of Aquarius, the 5th Dimension's fourth album, was the group's commercial peak. Blowing Away (Remastered) - The 5th Dimension, 3. Three green berets kill the Native Americans with machine guns and then kill each other. [28], Hair opened on Broadway at the Biltmore Theatre on April 29, 1968. The musical was the first work by living authors that Papp produced. [150] Rado remembers that long hair "was a visible form of awareness in the consciousness expansion. [186], In 2005, a London production opened at the Gate Theatre, directed by Daniel Kramer. [175], A 1985 production of Hair mounted in Montreal was reportedly the 70th professional production of the musical. "I prefer it that way. Much deeper though. "[230], In August 2014, the 2009 Broadway version returned for a three-night engagement at the Hollywood Bowl. Directed by Adam Shankman, the cast included Kristen Bell as Sheila, Hunter Parrish as Claude, Benjamin Walker as Berger, Amber Riley as Dionne, Jenna Ushkowitz as Jeanie, Sarah Hyland as Crissy, Mario as Hud, and Beverly D'Angelo and Kevin Chamberlin as Claude's parents. Castelli produced companies in France, Germany, Mexico and other countries, sometimes also directing the productions. [63] The song "Walking in Space" begins the sequence, and the lyrics celebrate the experience declaring "how dare they try to end this beauty ... in this dive we rediscover sensation ... our eyes are open, wide, wide, wide". [citation needed] After the Berlin Wall fell, the show traveled for the first time to Poland, Lebanon, the Czech Republic and Sarajevo (featured on ABC's Nightline with Ted Koppel, when Phil Alden Robinson visited that city in 1996 and discovered a production of Hair there in the midst of the war). (April 30, 1968). As Shakespeare once said: 'There's sap in't yet. [46], The Parisian production encountered little controversy, and the cast disrobed for the nude scene "almost religiously" according to Castelli, nudity being common on stage in Paris. [65] In "Going Down", after being kicked out of school, Berger compares himself to Lucifer: "Just like the angel that fell / Banished forever to hell / Today have I been expelled / From high school heaven. [197] Paulus again directed, with choreography by Karole Armitage. Four tribe members have the "Electric Blues". For the musical film, see, The end of a verse and a chorus of the title song, The last verse of "The Flesh Failures" and first chorus of "Let the Sun Shine In" from the original Broadway cast. [18] Set design was by Ming Cho Lee, costume design by Theoni Aldredge, and although Anna Sokolow began rehearsals as choreographer, Freedman received choreographer credit. Copulate in a king-sized bed. The name itself, inspired by the name of a Jim Dine painting depicting a comb and a few strands of hair,[5][149] was a reaction to the restrictions of civilization and consumerism and a preference for naturalism. [263][264] For about a week, cast members worldwide collected donations at every show for the fund. [33] Amateur productions of Hair are also popular worldwide. 63 in the Top 200, qualifying it as the highest debuting album in Ghostlight Records history. ... We stood naked to comment on the fact that society makes more of nudity than killing. [46], By 1970, Hair was a huge financial success, and nineteen productions had been staged outside of North America. [5], There were soon nine simultaneous productions in U.S. cities, followed by national tours. In answer, Claude and Berger lead the tribe in explaining the significance of their locks ("Hair"). [83] "Aquarius" was the result of Rado's research into his own astrological sign. [97] Early productions were primarily reproductions of this basic design. "The 29th was auspicious ... because the moon was high, indicating that people would attend in masses. "Prvo svetlo u kuci broj 4" Beograd 1968–70. Maybe talent is irrelevant in this new kind of show business. "[4], Rado and Ragni came from different artistic backgrounds. Critic Clive Barnes commented, "There really weren't any rock musicals. Starting in 1967, in the rock musical Hair, the leading song proclaimed, “This is the dawning of the Age of Aquarius” (perhaps a little prematurely) and chanted inspiring lines …

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